Publicado em 28/09/2026
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Resultados para: "TAMBOURINE"
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Comentários Bíblicos (5) Exegese Clássica
Comentário Jamieson-Fausset-Brown (JFB)
1871
Êxodo 15:20
<p>Miriam the prophetess--so called from her receiving divine revelations (Num 12:1; Mic 6:4), but in this instance principally from her being eminently skilled in music, and in this sense the word "prophecy" is sometimes used in Scripture (Ch1 25:1; Co1 11:5).
took a timbrel--or "tabret"--a mu... <p>Miriam the prophetess--so called from her receiving divine revelations (Num 12:1; Mic 6:4), but in this instance principally from her being eminently skilled in music, and in this sense the word "prophecy" is sometimes used in Scripture (Ch1 25:1; Co1 11:5).
took a timbrel--or "tabret"--a musical instrument in the form of a hoop, edged round with rings or pieces of brass to make a jingling noise and covered over with tightened parchment like a drum. It was beat with the fingers, and corresponds to our tambourine.
all the women went out after her with timbrels and with dances--We shall understand this by attending to the modern customs of the East, where the dance--a slow, grave, and solemn gesture, generally accompanied with singing and the sound of the timbrel, is still led by the principal female of the company, the rest imitating her movements and repeating the words of the song as they drop from her lips.</p>
took a timbrel--or "tabret"--a mu... <p>Miriam the prophetess--so called from her receiving divine revelations (Num 12:1; Mic 6:4), but in this instance principally from her being eminently skilled in music, and in this sense the word "prophecy" is sometimes used in Scripture (Ch1 25:1; Co1 11:5).
took a timbrel--or "tabret"--a musical instrument in the form of a hoop, edged round with rings or pieces of brass to make a jingling noise and covered over with tightened parchment like a drum. It was beat with the fingers, and corresponds to our tambourine.
all the women went out after her with timbrels and with dances--We shall understand this by attending to the modern customs of the East, where the dance--a slow, grave, and solemn gesture, generally accompanied with singing and the sound of the timbrel, is still led by the principal female of the company, the rest imitating her movements and repeating the words of the song as they drop from her lips.</p>
Comentário Jamieson-Fausset-Brown (JFB)
1871
Jó 21:12
<p>take--rather, "lift up the voice" (sing) to the note of [UMBREIT].
timbrel--rather, "tambourine."
organ--not the modern "organ," but the "pipe" (Gen 4:21). The first clause refers to stringed, the latter, to wind instruments; thus, with "the voice" all kinds o... <p>take--rather, "lift up the voice" (sing) to the note of [UMBREIT].
timbrel--rather, "tambourine."
organ--not the modern "organ," but the "pipe" (Gen 4:21). The first clause refers to stringed, the latter, to wind instruments; thus, with "the voice" all kinds of music are enumerated.</p>
timbrel--rather, "tambourine."
organ--not the modern "organ," but the "pipe" (Gen 4:21). The first clause refers to stringed, the latter, to wind instruments; thus, with "the voice" all kinds o... <p>take--rather, "lift up the voice" (sing) to the note of [UMBREIT].
timbrel--rather, "tambourine."
organ--not the modern "organ," but the "pipe" (Gen 4:21). The first clause refers to stringed, the latter, to wind instruments; thus, with "the voice" all kinds of music are enumerated.</p>
Comentário Jamieson-Fausset-Brown (JFB)
1871
Isaías 5:12
<p>Music was common at ancient feasts (Isa 24:8-9; Amo 6:5-6).
viol--an instrument with twelve strings [JOSEPHUS, Antiquities, 8.10].
tabret--Hebrew, toph, from the use of which in drowning the cries of children sacrificed to Moloch, Tophet received its name. Arabic, duf. A kettle drum, or tambourine.
pipe--fl... <p>Music was common at ancient feasts (Isa 24:8-9; Amo 6:5-6).
viol--an instrument with twelve strings [JOSEPHUS, Antiquities, 8.10].
tabret--Hebrew, toph, from the use of which in drowning the cries of children sacrificed to Moloch, Tophet received its name. Arabic, duf. A kettle drum, or tambourine.
pipe--flute or flageolet: from a Hebrew root "to bore through"; or else, "to dance" (compare Job 21:11-15).
regard not . . . Lord--a frequent effect of feasting (Job 1:5; Psa 28:5).
work . . . operation--in punishing the guilty (Isa 5:19; Isa 10:12).</p>
viol--an instrument with twelve strings [JOSEPHUS, Antiquities, 8.10].
tabret--Hebrew, toph, from the use of which in drowning the cries of children sacrificed to Moloch, Tophet received its name. Arabic, duf. A kettle drum, or tambourine.
pipe--fl... <p>Music was common at ancient feasts (Isa 24:8-9; Amo 6:5-6).
viol--an instrument with twelve strings [JOSEPHUS, Antiquities, 8.10].
tabret--Hebrew, toph, from the use of which in drowning the cries of children sacrificed to Moloch, Tophet received its name. Arabic, duf. A kettle drum, or tambourine.
pipe--flute or flageolet: from a Hebrew root "to bore through"; or else, "to dance" (compare Job 21:11-15).
regard not . . . Lord--a frequent effect of feasting (Job 1:5; Psa 28:5).
work . . . operation--in punishing the guilty (Isa 5:19; Isa 10:12).</p>
Comentário Jamieson-Fausset-Brown (JFB)
1871
Ezequiel 28:13
<p>in Eden--The king of Tyre is represented in his former high state (contrasted with his subsequent downfall), under images drawn from the primeval man in Eden, the type of humanity in its most Godlike form.
garden of God--the model of ideal loveliness (Eze 31:8-9; Eze 36:35). In the person of the king of Tyre a ... <p>in Eden--The king of Tyre is represented in his former high state (contrasted with his subsequent downfall), under images drawn from the primeval man in Eden, the type of humanity in its most Godlike form.
garden of God--the model of ideal loveliness (Eze 31:8-9; Eze 36:35). In the person of the king of Tyre a new trial was made of humanity with the greatest earthly advantages. But as in the case of Adam, the good gifts of God were only turned into ministers to pride and self.
every precious stone--so in Eden (Gen 2:12), "gold, bdellium, and the onyx stone." So the king of Tyre was arrayed in jewel-bespangled robes after the fashion of Oriental monarchs. The nine precious stones here mentioned answer to nine of the twelve (representing the twelve tribes) in the high priest's breastplate (Exo 39:10-13; Rev 21:14, Rev 21:19-21). Of the four rows of three in each, the third is omitted in the Hebrew, but is supplied in the Septuagint. In this, too, there is an ulterior reference to Antichrist, who is blasphemously to arrogate the office of our divine High Priest (Zac 6:13).
tabrets--tambourines.
pipes--literally, "holes" in musical pipes or flutes.
created--that is, in the day of thine accession to the throne. Tambourines and all the marks of joy were ready prepared for thee ("in thee," that is, "with and for thee"). Thou hadst not, like others, to work thy way to the throne through arduous struggles. No sooner created than, like Adam, thou wast surrounded with the gratifications of Eden. FAIRBAIRN, for "pipes," translates, "females" (having reference to Gen 1:27), that is, musician-women. MAURER explains the Hebrew not as to music, but as to the setting and mounting of the gems previously mentioned.</p>
garden of God--the model of ideal loveliness (Eze 31:8-9; Eze 36:35). In the person of the king of Tyre a ... <p>in Eden--The king of Tyre is represented in his former high state (contrasted with his subsequent downfall), under images drawn from the primeval man in Eden, the type of humanity in its most Godlike form.
garden of God--the model of ideal loveliness (Eze 31:8-9; Eze 36:35). In the person of the king of Tyre a new trial was made of humanity with the greatest earthly advantages. But as in the case of Adam, the good gifts of God were only turned into ministers to pride and self.
every precious stone--so in Eden (Gen 2:12), "gold, bdellium, and the onyx stone." So the king of Tyre was arrayed in jewel-bespangled robes after the fashion of Oriental monarchs. The nine precious stones here mentioned answer to nine of the twelve (representing the twelve tribes) in the high priest's breastplate (Exo 39:10-13; Rev 21:14, Rev 21:19-21). Of the four rows of three in each, the third is omitted in the Hebrew, but is supplied in the Septuagint. In this, too, there is an ulterior reference to Antichrist, who is blasphemously to arrogate the office of our divine High Priest (Zac 6:13).
tabrets--tambourines.
pipes--literally, "holes" in musical pipes or flutes.
created--that is, in the day of thine accession to the throne. Tambourines and all the marks of joy were ready prepared for thee ("in thee," that is, "with and for thee"). Thou hadst not, like others, to work thy way to the throne through arduous struggles. No sooner created than, like Adam, thou wast surrounded with the gratifications of Eden. FAIRBAIRN, for "pipes," translates, "females" (having reference to Gen 1:27), that is, musician-women. MAURER explains the Hebrew not as to music, but as to the setting and mounting of the gems previously mentioned.</p>
Comentário Jamieson-Fausset-Brown (JFB)
1871
Naum 2:7
<p>Huzzab--the name of the queen of Nineveh, from a Hebrew root implying that she stood by the king (Psa 45:9), [VATABLUS]. Rather, Nineveh personified as a queen. She who had long stood in the most supreme prosperity. Similarly CALVIN. MAURER makes it not a proper name, and translates, "It is established,"...
<p>Huzzab--the name of the queen of Nineveh, from a Hebrew root implying that she stood by the king (Psa 45:9), [VATABLUS]. Rather, Nineveh personified as a queen. She who had long stood in the most supreme prosperity. Similarly CALVIN. MAURER makes it not a proper name, and translates, "It is established," or "determined" (compare Gen 41:32). English Version is more supported by the parallelism.
led away captive--The Hebrew requires rather, "she is laid bare"; brought forth from the apartments where Eastern women remained secluded, and is stripped of her ornamental attire. Compare Isa 47:2-3, where the same image of a woman with face and legs exposed is used of a city captive and dismantled (compare Nah 3:5), [MAURER].
brought up--Her people shall be made to go up to Babylon. Compare the use of "go up" for moving from a place in Jer 21:2.
her maids . . . as . . . doves--As Nineveh is compared to a queen dethroned and dishonored, so she has here assigned to her in the image handmaids attending her with dove-like plaints (Isa 38:14; Isa 59:11. The image implies helplessness and grief suppressed, but at times breaking out). The minor cities and dependencies of Nineveh may be meant, or her captive women [JEROME]. GROTIUS and MAURER translate, for "lead her," "moan," or "sigh."
tabering--beating on their breasts as on a tambourine.</p>
led away captive--The Hebrew requires rather, "she is laid bare"; brought forth from the apartments where Eastern women remained secluded, and is stripped of her ornamental attire. Compare Isa 47:2-3, where the same image of a woman with face and legs exposed is used of a city captive and dismantled (compare Nah 3:5), [MAURER].
brought up--Her people shall be made to go up to Babylon. Compare the use of "go up" for moving from a place in Jer 21:2.
her maids . . . as . . . doves--As Nineveh is compared to a queen dethroned and dishonored, so she has here assigned to her in the image handmaids attending her with dove-like plaints (Isa 38:14; Isa 59:11. The image implies helplessness and grief suppressed, but at times breaking out). The minor cities and dependencies of Nineveh may be meant, or her captive women [JEROME]. GROTIUS and MAURER translate, for "lead her," "moan," or "sigh."
tabering--beating on their breasts as on a tambourine.</p>
Dicionários & Enciclopédias (1) Dicionários Históricos
Concordâncias Bíblicas nos Idiomas Originais (2) Wigram / Mandelkern / Moulton
H8596
0x
0 var.
תֹּף
tôph
Tambourine
Vocábulo do Hebraico/Aramaico (tôph), com a acepção lexical principal: "Tambourine". Context...
H8608
1x
1 var.
תָּפַף
tâphaph
To beat
Vocábulo do Hebraico/Aramaico (tâphaph), com a acepção lexical principal: "To beat". Context...
Comentário Jamieson-Fausset-Brown (JFB)
Êxodo 15:20
<p>Miriam the prophetess--so called from her receiving divine revelations (Num 12:1; Mic 6:4), but in this instance principally from her being eminently skilled in music, and in this sense the word "prophecy" is sometimes used in Scripture (Ch1 25:1; Co1 11:5).
took a timbrel--or "tabret"--a musical instrument in the form of a hoop, edged round with rings or pieces of brass to make a jingling noise and covered over with tightened parchment like a drum. It was beat with the fingers, and corresponds to our tambourine.
all the women went out after her with timbrels and with dances--We shall understand this by attending to the modern customs of the East, where the dance--a slow, grave, and solemn gesture, generally accompanied with singing and the sound of the timbrel, is still led by the principal female of the company, the rest imitating her movements and repeating the words of the song as they drop from her lips.</p>
Comentário Jamieson-Fausset-Brown (JFB)
Jó 21:12
<p>take--rather, "lift up the voice" (sing) to the note of [UMBREIT].
timbrel--rather, "tambourine."
organ--not the modern "organ," but the "pipe" (Gen 4:21). The first clause refers to stringed, the latter, to wind instruments; thus, with "the voice" all kinds of music are enumerated.</p>
Comentário Jamieson-Fausset-Brown (JFB)
Isaías 5:12
<p>Music was common at ancient feasts (Isa 24:8-9; Amo 6:5-6).
viol--an instrument with twelve strings [JOSEPHUS, Antiquities, 8.10].
tabret--Hebrew, toph, from the use of which in drowning the cries of children sacrificed to Moloch, Tophet received its name. Arabic, duf. A kettle drum, or tambourine.
pipe--flute or flageolet: from a Hebrew root "to bore through"; or else, "to dance" (compare Job 21:11-15).
regard not . . . Lord--a frequent effect of feasting (Job 1:5; Psa 28:5).
work . . . operation--in punishing the guilty (Isa 5:19; Isa 10:12).</p>
Comentário Jamieson-Fausset-Brown (JFB)
Ezequiel 28:13
<p>in Eden--The king of Tyre is represented in his former high state (contrasted with his subsequent downfall), under images drawn from the primeval man in Eden, the type of humanity in its most Godlike form.
garden of God--the model of ideal loveliness (Eze 31:8-9; Eze 36:35). In the person of the king of Tyre a new trial was made of humanity with the greatest earthly advantages. But as in the case of Adam, the good gifts of God were only turned into ministers to pride and self.
every precious stone--so in Eden (Gen 2:12), "gold, bdellium, and the onyx stone." So the king of Tyre was arrayed in jewel-bespangled robes after the fashion of Oriental monarchs. The nine precious stones here mentioned answer to nine of the twelve (representing the twelve tribes) in the high priest's breastplate (Exo 39:10-13; Rev 21:14, Rev 21:19-21). Of the four rows of three in each, the third is omitted in the Hebrew, but is supplied in the Septuagint. In this, too, there is an ulterior reference to Antichrist, who is blasphemously to arrogate the office of our divine High Priest (Zac 6:13).
tabrets--tambourines.
pipes--literally, "holes" in musical pipes or flutes.
created--that is, in the day of thine accession to the throne. Tambourines and all the marks of joy were ready prepared for thee ("in thee," that is, "with and for thee"). Thou hadst not, like others, to work thy way to the throne through arduous struggles. No sooner created than, like Adam, thou wast surrounded with the gratifications of Eden. FAIRBAIRN, for "pipes," translates, "females" (having reference to Gen 1:27), that is, musician-women. MAURER explains the Hebrew not as to music, but as to the setting and mounting of the gems previously mentioned.</p>
Comentário Jamieson-Fausset-Brown (JFB)
Naum 2:7
<p>Huzzab--the name of the queen of Nineveh, from a Hebrew root implying that she stood by the king (Psa 45:9), [VATABLUS]. Rather, Nineveh personified as a queen. She who had long stood in the most supreme prosperity. Similarly CALVIN. MAURER makes it not a proper name, and translates, "It is established," or "determined" (compare Gen 41:32). English Version is more supported by the parallelism.
led away captive--The Hebrew requires rather, "she is laid bare"; brought forth from the apartments where Eastern women remained secluded, and is stripped of her ornamental attire. Compare Isa 47:2-3, where the same image of a woman with face and legs exposed is used of a city captive and dismantled (compare Nah 3:5), [MAURER].
brought up--Her people shall be made to go up to Babylon. Compare the use of "go up" for moving from a place in Jer 21:2.
her maids . . . as . . . doves--As Nineveh is compared to a queen dethroned and dishonored, so she has here assigned to her in the image handmaids attending her with dove-like plaints (Isa 38:14; Isa 59:11. The image implies helplessness and grief suppressed, but at times breaking out). The minor cities and dependencies of Nineveh may be meant, or her captive women [JEROME]. GROTIUS and MAURER translate, for "lead her," "moan," or "sigh."
tabering--beating on their breasts as on a tambourine.</p>
H8596
Hebraico / Aramaico (Strong)
תֹּף
tôph
🇧🇷 Tambourine
🇺🇸 tambourine
Vocábulo do Hebraico/Aramaico (tôph), com a acepção lexical principal: "Tambourine". Contextos originais: a tambourine [KJV: tabret, timbrel.] Derivação: from H8608 (תָּפַף) contracted;
H8608
Hebraico / Aramaico (Strong)
תָּפַף
tâphaph
🇧🇷 To beat
🇺🇸 to beat
Vocábulo do Hebraico/Aramaico (tâphaph), com a acepção lexical principal: "To beat". Contextos originais: to drum, i.e. play (as) on the tambourine [KJV: taber, play with timbrels.] Derivação: a primitive root;
H8596
0x
0 var.
תֹּף
tôph
Tambourine
Vocábulo do Hebraico/Aramaico (tôph), com a acepção lexical principal: "Tambourine". Context...
H8608
1x
1 var.
תָּפַף
tâphaph
To beat
Vocábulo do Hebraico/Aramaico (tâphaph), com a acepção lexical principal: "To beat". Context...